Drop a photo to start

Or open one from your computer. Nothing is uploaded.

Histogram

Quick fixes — workflow steps

Styles

Moody

Crushed shadows, cool cast

100%

Warm film

Golden tones, soft highlights

100%

Punchy

High contrast, vivid color

100%

Faded

Matte blacks, low contrast

100%

Teal & Orange

Cinematic complementary grade

100%

Scandi Clean

Bright, airy, low-saturation editorial

100%

Vintage Kodachrome

Saturated reds, deep blues, 1970s slide film

100%

Pastel Portrait

Soft skin tones, lifted shadows

100%

Dial intensity from subtle to strong, then hit Apply. The before/after thumbnails update live as you drag. Open the info icon for the matching Lightroom Classic or Photoshop recipe.

Black & white

Classic B&W

Balanced tones, gentle contrast

100%

High Contrast B&W

Punchy whites, crushed blacks

100%

Film Noir

Deep shadows, moody

100%

Soft Matte B&W

Lifted blacks, dreamy print look

100%

High-Key Dreamy

Bright, airy, glowing

100%

Silver Gelatin Print

Rich midtones, museum-print feel

100%

Platinum Print

Long tonal range, warm-cool split

100%

Tri-X Pushed

Gritty press-photo grain feel

100%

Low-Key Drama

Mostly dark frame, single bright subject

100%

Infrared Look

Glowing skies, ghostly bright foliage

100%

Drag the slider to dial the look up or down before applying. Saturation is locked at 0 so the photo stays monochrome at any strength.

B&W techniques (colour-filter conversion)

Luminosity (neutral)

Honest greys, no channel bias

100%

Red filter

Brightens skin, darkens skies dramatically

100%

Orange filter

Flattering portraits, gentle sky darkening

100%

Green filter

Foliage pops, skin texture shows

100%

Blue filter (cold noir)

Darkens skin, brightens sky — moody

100%

Each technique shifts white balance BEFORE desaturating — exactly how coloured glass filters worked on B&W film. Red brightens skin and darkens skies; blue does the opposite; green pops foliage; luminosity is neutral.

Exposure

Contrast

Highlights

Shadows

Whites

Blacks

Temperature

Tint

Vibrance

Saturation